We are thrilled to be opening Assemblywomen: the Video Journal of the Women’s Classical Committee (UK) for the first Call for Pitches. Please find further details about the journal and the types of submissions below. Please do not hesitate to get in touch with us at email@example.com with any queries you may have.
Assemblywomen is the video journal of the Women’s Classical Committee (UK).The Women’s Classical Committee was founded in 2015 in the United Kingdom with the following aims:
Support women* in classics**
Promote feminist and gender-informed perspectives in classics
Raise the profile of the study of women in antiquity and classical reception
Advance equality and diversity in classics
*By ‘women’ we include all those who self-define as women, including (if they wish) those with complex gender identities which include ‘woman’, and those who experience oppression as women.
**By ‘classics’ we understand the study of the ancient Mediterranean world and its reception, including but not limited to scholarship by students and post-holders in academic departments of Classics, Ancient History and Archaeology.
Assemblywomen furthers the general aims of the WCC by providing an innovative platform for the open access publication of research on women and gender in the ancient world. We will accept submissions that focus on women, or take feminist or gender-informed approaches to the ancient Mediterranean world, work that undertakes comparatives studies between the Mediterranean world and global cultures or which examines global cultures in relation to the ancient Mediterranean. While we are actively working to create a platform in which we can accept work that does not have a connection with the Mediterranean world, at this point in time we do not have the sufficient breadth of knowledge in order to do this.
There are three types of submissions currently being accepted.
Video Essays: these are our peer reviewed submissions. These may undergo several stages of peer review depending on the submission, including review of the pitch and the final script. Video essays should present original research and be between ten and twenty minutes in length (around 2000-4000 words, depending on speech patterns).
Work in Progress Shorts: these are not peer reviewed, but undergo the same pitch development process with an editor as video essays. They should present original research, but as the name suggests this will likely be ‘work in progress’ and does not need to present firm conclusions. These should be between 5 and 15 minutes in length (1000-3000 words approximately).
Review or Response videos: These videos will vary in length but should be no longer than 15 minutes. These are videos that either:
Review a body of work (more like a review essay than the review of a single book). These may take the form of ‘state of the field’ type essays, and should make some general observations about the place of each of the books/articles/videos within the (sub)discipline more broadly).
Videos that respond to another Assemblywomen video or to an article or book. The original author will usually be given an opportunity to respond also. Please note: these are not places for criticism, but for constructive critique and/or dialogue. These may take the form of “here is another example that illustrates this point”, “this responds well to X methodology”.
The Women’s Classical Committee UK has put together this guidance to encourage colleagues putting together collaborative academic enterprises to consider how they might increase the diversity of their line-ups, and reach out to people who are currently not represented in a wide range of prestigious academic activity. This problem doesn’t just surface in classics – in 2012, Nature ran the numbers on who they were
asking to act as referees for their papers, who they were profiling, and who was writing Comment
and World View articles. They found that despite having a gender balance at the editorial and
reporting level, they were asking a significantly lower proportion of women to take on these more
visible, ‘authoritative’ tasks. This issue particularly affects graduate and early career colleagues, while established colleagues may find themselves refusing invitations sent to them because they are the only ‘visible’ woman in a given field.
‘How to Avoid a Manel and Beyond’ is designed as a straightforward and approachable guide to the issue for colleagues organising events, and for those wanting to raise issues with other colleagues in a constructive way. We encourage you to download the guidance, direct people to it, send it to people you think will benefit from it, and use it yourself.
We envisage this document as an evolving work in progress that will be updated to reflect best practice over time. If you have any thoughts or feedback, please do e-mail us at womensclassicalcommittee AT gmail DOT com.
We’d like to let you know that the 2015 edition of Cloelia, the annual publication of the Women’s Classical Caucus in the US, is now out. This edition features articles by Fiona McHardy and Susan Deacy on teaching sensitive subjects and by Helena Hoyle and Joscelyn Cole on the Classics and the New Faces of Feminism sandpit that led to the creation of the WCC UK. You can see the table of contents and read the articles over on the Caucus’ website.